My step-father, Ron, was Marketing Director at British Eagle airlines during my early school days. So when The Beatles flew with them I got to paint (yes, paint) “Beatles Fly” above the British Eagle logo, in matching type, on four bags. But I didn’t get taken to the airport to see them and I have lost the photo. My early introduction to the benefits of free work. See how I got over it and moved on? Anyway it was Klaus Voorman’s design for Revolver that proved to be the Damascean drawing for me. It was fab and it seemed distantly achievable even to a schoolboy with a short version of a Beatle haircut and dreams.
Last summer saw lots of media coverage for the anniversary of The Beatles’ Abbey Road. Just as their music was instantly ubiquitous, all their album graphics became iconic. You can often gauge how much album art has been absorbed into popular culture by the number of parodies. The Red Hot Chilli Peppers, The Simpsons, Booker T & the MG’s, Lego, and just about everybody else have paid homage to Abbey Road. Only spell-checker software, it seems, has not heard of The Beatles.
In 1984 Pan Books published Pete Brown’s account of his time with The Beatles. As Creative Director for Pan I wanted the cover to show the exact spot with the band now missing. The record label would not permit the re-touching of the original sleeve. So one Sunday morning it was off to St.John’s Wood with delightfully gentle photographer Peter Williams and a set of step ladders to shoot from scratch. With a very limited budget for models or props the were Hitchcock cameos by myself, Sandy Nightingale, Richard Moon, Creative Director of The British Council at the time, and his VW. We left the ‘For Sale’ sign in for Beatles’ fans to spot.
The zebra crossing itself is an international pilgrimage destination for fans of The Fab Four braving the London traffic to get that souvenir shot of themselves on location.
Visually, I am quite taken by the wit of the tank on The Beatles Bike that puts the motorbike in Abbey Road wherever it’s true location may be. A shame the airbrush artist went on to pepper (apologies) the machine with so many other references too. Smart tank idea though.
And, with all the lyrical wit of a McCartney bass-line, life threw up the location in a project this year. This time, as I rummaged through the archives for material for The Music of the Lord of the Rings Films. While using the hallowed recording studios, Director, Peter Jackson and Composer, Howard Shore stepped out to get their own snap. Then English Heritage got the studios listed. And I still love The Beatles music.
And in the end . . .